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While these stories are all linked by a common theme, sex, the variance in tones turns Radio Corazon into a non-homogenous work, which is only alive in its hilarious and fresh first section — think of those Italian sex comedies. The fact that one of the premises of this first story is so unexpected makes Radio Corazon starts with a bang before it increasingly deflates with a Hallmark TV-type drama and a cheap romance novel. Changing his directorial approach for each segment in order to reflect their respective themes makes Radio Corazon look like the work of three different directors. Maintaining the sex comedy tone of the first story throughout the ensemble would have allowed the other two stories to stay afloat, high above their dramatic depths. Instead we're left with the weird mutation between two mediums, radio and cinema,which as proven here don't fit together.
 
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